Miles Metcalfe's avatar
Miles Metcalfe

I'm a boffin.

10 Tracks
My tracks...
Violin Concerto No. 1: I. Quarter note = 104 — quarter note = 120 artwork
Violin Concerto No. 1: I. Quarter note = 104 — quarter note = 120
Gidon Kremer, Christoph von Dohnányi & Vienna Philharmonic
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Philip Glass again. My friend Michael always took a dim view of him - and I get it. There's a brash cheapness to Glass that even a skilled violinist like Gidon Kremer can't entirely disguise. But if you asked me what was the music of the great American city before the Fall, I'd say maybe because of its brash cheapness: Glass's Violin Concerto 1. You just have to listen to it to know the fascists will hate it.

Einstein on the Beach: Knee 5 artwork
Einstein on the Beach: Knee 5
The Philip Glass Ensemble
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We can argue about Philip Glass. When I was a kid I stayed up late to listen to Einstein on the Beach performed on Radio 3. It blew me away. Here's Knee 5. Imagine you're an awkward kid who likes music, maths, science and Star Trek - and reserve judgement.

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David Byrne & Brian Eno
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When I was a kid, I remember standing on a pebble beach on the south coast with my dad as the Isle of Wight hovercraft glided in to, uh, land. I got pebble-dashed. I loved hovercrafts - I was so excited when my parents sprung for the much-more-expensive-than-the-ferry hovercraft across the Channel to France. I wasn't much older when I discovered ekranoplans - screen-gliders (ground effect vehicles). Something better than hovercrafts, and proper mysterious behind the Iron Curtain.

I had just started in secondary school when our biology teacher told us about birds flying in ground effect. That wasn't in my bird-watching book! So I watched the coots and the gulls more closely...

Life was, life was hard at that time - but the coots ran across the water, screen-gliding: close but free. I came to hear music in that way: how close were my wingtips to the water?